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Simpsons’ Vet Mike Reiss Leads a Toonful Evening

26 Tuesday Jul 2011

Posted by cinepam in News

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Castro Theatre, Mike Reiss, San Francisco Jewish Film Festival, South Park, The Family Guy, The Simpsons

There were no standing ovations for longtime The Simpsons writer/producer Mike Reiss when he stepped up to the stage of the Castro Theatre on Monday, July 26 as part of the San Francisco Jewish Film Festival’s “Jews in Toons” program, compared to the three standing o’s that greeted movie star Kirk Douglas during SFJFF’s Freedom of Expression ceremony the day before. But Reiss was quick to brag that the cartoon program sold more tickets.

“Take that, Hollywood legend!” he crowed.

Reiss was the closing act for a night that began with “When You Wish Upon a Weinstein, “ a Family Guy episode made in 2000 but not shown until 2003 when the Cartoon Network aired it. Original network Fox left the episode – in which family patriarch Peter seeks a Jewish accountant and attempts to get a quickie Bar Mitzvah for his teenage son Chris – to gather dust after it deemed the episode antisemitic, despite the fact that scriptwriter Ricky Blitt is Jewish and two rabbis vetted the script. That was followed by South Park‘s “The Passion of the Jew,” in which Stan and Kenny attempt to get a refund from an addled Mel Gibson after being appalled by The Passion of the Christ while the movie inspires Cartman to emulate Hitler. Finally, in the 1991 Simpsons’ episode “Like Father, Like Clown,” Bart and Lisa attempt to reunite Crusty the Clown with his long estranged rabbi father.

It was 69 minutes of brilliant TV, but Reiss – who also made this year’s SFJFF “Queer Duck” trailer – was the star of the show, delivering a talk interspersed with clips from The Simpsons, Queer Duck, and the cult series The Critic. He was quick to point out that he is a comedy writer, not a comedian.

“It’s like the difference between phone sex and real sex,” he explained, adding, “In my case, it’s 20 bucks for four minutes either way.”

For a writer not a comedian, Reiss timing was pitch-perfect on lines like, “I’m Jewish. I would never eat a ham sandwich in a synagogue on Yom Kippur – if anyone was watching.”

He was also the master of the dish, revealing that the worst Simpsons guest star ever was a female celebrity he can’t name but whose first name is “Oprah;” his frustration over Paramount’s insistence he remove a Tom Cruise joke from Queer Duck: The Movie; and that if this veteran of Johnny Carson’s Tonight Show writing staff couldn’t write comedy, he’d probably write for Jay Leno.

When “Jews in Toons” ran over, there was only time left for one question in an audience Q&A, a woman who wanted to know if Simpsons‘ bartender Moe Szyslak was modeled after Reiss.

“I get that a lot,” he crumbled, insisting Moe was based on no human at all.

“We started with an ape and we shave some fur,” he said, adding, “Chief Wiggum is a pig. Ralph Wiggum is a lamb fetus.” – Pam Grady

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Kirk Douglas Recalls Breaking a Blacklist

26 Tuesday Jul 2011

Posted by cinepam in News

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Castro Theatre, Dalton Trumbo, Kirk Douglas, San Francisco Jewish Film Festival, Spartacus

Kirk Douglas as Spartacus

Kirk Douglas took the stage of San Francisco’s Castro Theatre on Sunday, July 24 at the San Francisco Jewish Film Festival, to an extended standing ovation. No surprise there. The 94-year-old actor is, after all, one of the very last classic Hollywood stars still living. But the applause wasn’t just for the 87 movies, 10 plays, and nine books Douglas has to his name or for his very survival, his having survived a 1991 helicopter crash and 1996 stroke that left him with impaired speech. He is the SFJFF’s Freedom of Expression award winner this year, feted not for being a movie star, but for his pivotal role in ending the Hollywood blacklist of the 1950s when he insisted that Dalton Trumbo attach his own name to his screenplay of Stanley Kubrick’s 1960 historical epic Spartacus.

It was Douglas, who served as executive producer as well as star on the film and who is currently writing a book entitled I Am Spartacus, who optioned Howard Fast’s novel. He originally hired the author to adapt his own book, but as Douglas revealed to SFJFF Executive Director Peter Stein during an onstage Q&A, “Howard Fast wrote a terrible screenplay.”

So Douglas turned to Trumbo, a member of the Hollywood 10 who had 11 spent months in prison for contempt of Congress for his refusal to discuss his political associations with the House Un-American Activities Committee and had subsequently found himself unemployable in Hollywood – at least under his own name. Writing under pseudonyms, his scripts for 1953’s Roman Holiday and 1956’s The Brave One were both Oscar winners. “Sam Jackson” was the name that he was going to use for Spartacus, but despite being warned that his own career might suffer if Trumbo received screen credit, Douglas insisted on standing on principle.

“I think if I was 10 years older, I might not have done it,” Douglas told Stein. “When you’re young and impulsive … I just had to do it. I’m glad I did it now.

“He thanked me for giving back his name,” he remembered, adding, “Names are what give you life.”

To close out the Freedom of Expression event, the SFJFF screened Spartacus.

“I would stay, but I saw the picture,” laughed Douglas before leaving the Castro stage. “It’s good. You’ll like it.” – Pam Grady

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