• About

Cinezine Kane

Cinezine Kane

Tag Archives: Nathalie Emmanuel

Life is messy & so is ‘Megalopolis’

27 Friday Sep 2024

Posted by cinepam in Reviews

≈ Leave a comment

Tags

Adam Driver, Aubrey Plaza, Francis Ford Coppola, Giancarlo Esposito, Jason Schwartzman, Jon Voight, Megalopolis, Nathalie Emmanuel, Shia LaBeouf

Make no mistake, Megalopolis is a mess. 

Francis Ford Coppola’s latest, and perhaps, last feature is overblown, grandiose, and barely holds together, the storytelling confused with plot points dropped and characters disappearing. 

For all that, this work of an 85-year-old auteur is also a film of stunning ambition as a lion in winter roars at the dying light. Gorgeous to behold with eyepopping production design and cinematography and a top-flight cast, forgive it its excesses and just surrender to the spectacle. 

One suspects that Cesar Catalina (Adam Driver), the Robert Moses-like figure who has utopian dreams of remaking the titular Megalopolis—a struggling city, part ancient Rome, part down-and-dirty-’70s era Manhattan—is a stand-in for Coppola himself. Certainly, his dreams are as flamboyant as the director’s and as Coppola has struggled for decades with studio suits so Cesar grapples with opposition from corrupt Mayor Cicero (Giancarlo Esposito) and powerful banker Hamilton Crassus III (Jon Voight).  

For everyone but Cicero’s daughter Julia (Nathalie Emmanuel), who is in thrall to his mad, arrogant genius, Cesar is a troublesome enigma. And, truly, no one has reason to trust him. To Cicero and Crassus, he represents unwanted change that might undermine their dirty business. Yet, the people whose lives Cesar insists he seeks to improve have even less reason to put their faith in him: In order to build his utopia, he razes apartment blocks, leaving people homeless. 

Cesar obsesses over the future in a movie rooted in the past. His own offices are in the Chrysler Building, and the film acts as a valentine to its Art Deco magnificence. In a movie that casts itself as an operatic ancient Roman fable with a nod to Shakespeare, Madison Square Garden plays the Coliseum in the Megalopolis’ most arresting sequence, “Bread and Circuses,” as intrigue unfolds against the backdrop of chariot races. 

Coppola’s longtime cinematographer Mihai Malaimare Jr. (Tetro, Twixt) lens work and Beth Mickle and Bradley Rubin’s vivid production design evocatively capture Coppola’s vision. The large cast that includes Laurence Fishburne, Dustin Hoffman, Coppola’s sister Talia Shire, D.B. Sweeney, and James Remar is excellent, although some actors appear to be in an entirely different movie. In particular, Coppola’s nephew Jason Schwartzman as Cicero aide Jason Zanderz, Aubrey Plaza as Crassus’ bride and Cesar’s former lover Wow Platinum, and Shia LaBeouf as Crassus’ duplicitous and gleefully psychotic nephew Clodio Pulcher are live wires among their mostly sober costars. This isn’t a flaw. They are fun to watch. 

Cesar has one peculiar talent: He can stop time. Manipulating time, of course, is a filmmaker’s trick: Coppola can freeze a frame, skip forward and back between past and future, compress decades into mere hours. No such luck in real life and he seems only too aware of that. It’s been 61 years since the director made his feature debut, Dementia 13, and Megalopolis feels like the summing up of all those decades since, the triumphs and the failures as well as the middling features that helped a man who likes to live large pay the bills. It’s big. It’s chaotic. If this is his swan song, it’s epic. —Pam Grady

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
Like Loading...

F9: Stuff blows up when it is brother versus brother

24 Thursday Jun 2021

Posted by cinepam in Reviews

≈ Leave a comment

Tags

Charlize Theron, Chris "Ludacris" Bridges, F9, Helen Mirren, Jason Statham, John Cena, Jordana Brewster, Justin Lin, Michelle Rodriguez, Nathalie Emmanuel, Tyrese Gibson, Vin Diesel

Movies in the Fast & Furious franchise really ought to come with a warning. Not about the extravagant violence and sky-high body counts, but about the sheer idiocy that defines these movies. Oh, they are entertaining and frequently hilarious in their doltish way but watching them is a good way to kill off brain cells. F9, the dumbest entry in moviedom’s dumbest franchise, will murder many.

Like Michael Corleone once lamented, “Just when I thought I was out, they pull me back in,” so it is with Dom Toretto (Vin Diesel). Living in exile on an isolated farm with Letty (Michelle Rodriguez) and his young son, Little Brian (yes, “Little” Brian – as if anyone would mistake a small child for the late Paul Walker after whose character he’s named), he has put his old life behind him. At least, until Roman (Tyrese Gibson), Tej (Chris ‘Ludacris’ Bridges), and Ramsey (Nathalie Emmanuel) show up to enlist Dom and Letty into a new caper with the fate of the world in balance. Those snobs at MI6 or IMF have got nothing on these gearheads charged with recovering a device that could alter the world order – and with putting to right Dom Toretto’s world.

The first hint that something biblical is on the menu happens when Dom is still on the farm, putting Little Brian to bed, telling the boy that God lives in his heart. Then he says, “I live in your heart.” Does this mean Dom is God? In his own mind, certainly. But the theme continues when it turns out that the nemesis he must vanquish this time out is his own brother Jakob (once and future WWE fighter John Cena). The Cain-and-Abel vibe is unmistakable, sibling rivalry turned into sibling warfare (and often sibling hand-to-hand combat, that is when they aren’t trying to outdrive each other). Flashbacks reveal the heart of the beef between these warring brothers with daddy issues.

The Dom and Jakob reunion is not the only one in F9, as this is a film that assembles as much of the crew as possible, both friends – including Dom and Jakob’s sister Mia (Jordana Brewster), Han (Sung Kang), and Sean (Lucas Black) – and Dom’s foe Cipher (Charlize Theron, slumming to the point where the Academy might want its Oscar back). Even Deckard Shaw’s (Jason Statham) thieving mum, Queenie, shows up, Helen Mirren adding a touch of regal class to this live-action cartoon. (To catch sight of Statham, stay for the end credits.) F9 is not the end of the franchise, but if it had finished here, it would have been given a proper burial.

Instead, the will soldier on, despite the fact that there are really only so many ways you can crash cars and director Justin Lin and the writers are clearly beginning to run out of ideas on that score. The non-driving Ramsey learns on the fly, steering a big box truck down the narrow streets of Edinburgh, Scotland, the vehicle equipped with high power magnets, so that the chase becomes one of high-powered, explosive bumper cars. So far, so funny, but then the magnet gag keeps getting repeated. And, sure, that helps pad out the running time, but it loses steam through rote repetition. A more inspired (and lunatic) bit plants Roman and Tej in a rocket-equipped car – and, well, cue the Space X jokes.

F9 left me yearning for the return of SCTV and Joe Flaherty and the late John Candy’s “Farm Report” where a pair of cinephile farmers acted as the rural answer to Gene Siskel and Roger Ebert. They would have cut to the chase and distilled F9 to its very essence: “Stuff blowed up real good.” Yes, yes, it did. –Pam Grady

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
Like Loading...

Categories

  • Interviews
  • News
  • Reviews
  • Short Takes
  • Uncategorized

Recent Posts

  • A Stamp of Approval
  • Life is messy & so is ‘Megalopolis’
  • A star discovers too late there are worse things than aging in the black comic body horror ‘The Substance’
  • A young teen nurses a crush when he finds himself among ‘Big Boys’
  • The stunt man becomes the star as Ryan Gosling becomes THE FALL GUY

Archives

Blog at WordPress.com.

  • Subscribe Subscribed
    • Cinezine Kane
    • Join 48 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Cinezine Kane
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d