Monthly Archives: October 2011

Terror in Three Dimensions: Joe Dante on Making The Hole

07 Friday Oct 2011

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“Joe Dante knows a little something about fear. The director of such movies as Gremlins, Matinee, Small Soldiers and 2009’s The Hole – which makes its U.S. theatrical debut in Digital 3D as part of Jesse Hawthorne Ficks’ Midnites for Maniacs’ series at San Francisco’s Castro Theatre on Friday, October 7 – grew up on the emotion.

“When I was a kid, I was afraid of the bomb dropping, as you can see in Matinee,” he reveals in conversation at the 2009 Toronto International Film Festival where The Hole made its North American premiere. “People forget that kids in the ’50s lived with this knowledge in the back of their heads that any minute the world could end. It was just something that was carried around. We knew it like how you knew your blood worked and stuff. It was just a fact of life.”

Terror is also a fact of life for the siblings at the center of The Hole, brothers Dane (Chris Massoglia) and Lucas (Nathan Gamble). Already upset because their mother Susan (Teri Polo) has uprooted them from Brooklyn’s urban bustle to apparently sleepy Bensonville, life gets more interesting and a heck of a lot scarier when they discover a padlocked door on the floor of the basement. Like modern-day Pandoras, the boys can’t resist peeking and they inadvertently unleash their own worst fears.

Ever since 1984’s Gremlins‘ phenomenal success, Dante has been a go-to guy for producers seeking a director who is good with horror and good with kids. He admits he sometimes get frustrated with the typecasting, but he is always open to a crackerjack script.

“I wish I could say that I am attracted like a moth to the flame to these stories, but that’s not really the truth,” he says. “The truth is I get offered this kind of material, because I’ve done it in the past. And obviously, I can relate to it. I have a dictum that I operate under, which is that I will not make a movie that I wouldn’t go see.

“When I was offered this picture, part of me went, ‘Another movie with kids and special effects?’ But then another part of me went, ‘Gee, this is awfully good and I know I could do something with this.’”

One of the things that struck the director about Mark L. Smith’s screenplay was that even with all the fantasy and horror elements, there was still a core of realism to Dane and Lucas’ situation.

“I could believe this family,” he says. “I could believe the way that they talk, the way that they act. These are not movie kids. This is not a Disney channel idea of life.”

When Dante was growing up in the ’50s, he loved those movies that were the manifestations of the nuclear world that he feared, movies like Them and the other radiated monster movies. The Universal horror movies from the 1930s that he watched on television he describes as his folklore and fairy tales. But he also grew up during the first wave of 3D. With The Hole he was given a chance to use the format for himself. He thought back to those old movies as he decided just how to employ the technology in his own work.

“You can’t constantly throw things at people or else it loses its effectiveness,” Dante observes. “My favorite 3D movie is Dial M for Murder, which was one of the last 3D pictures produced then, not shown in 3D originally, and it saves its breaking the frame stuff for a couple of moments and they’re very striking because there’s not a lot of other stuff like that.

“Also, it’s a movie that’s staged – it’s like a play, really – it’s staged in depth,” he adds. “There are foreground objects that mean something. There are characters standing in front of people or behind people. To me, I think that’s what the future of 3D should be. We all know that you can throw things at people and we all know that we can do breaking-the-frame gags, but I think there’s a drama to storytelling that can be enhanced by 3D. I reject the idea that it’s just for gimmicks and just for exploitation, that it’s just for throwing eyeballs at the audience.”

He had to shoot quickly, so Dante feels he only scratched the surface of 3D’s capabilities, but he is pleased with what he was able to accomplish.

“It’s not an expensive film; we didn’t have much time to make it, but I think given the subject matter, it’s as good as we could make it,” he says.

Dante is scheduled to be on hand for the Midnites for Maniacs The Hole screening and to take part in a Q&A with Jesse Hawthorne Ficks. The Castro Theatre is the perfect venue for the movie’s theatrical premiere, its cathedral-like dimensions reflecting the 64-year-old auteur’s vision of movie going.

He says, “When the lights go down in a theater, to me it’s like going to church.” – Pam Grady

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The Hole plays Midnites for Maniacs along with The Goonies and Gremlins 2: The New Batch on Friday, October 7 at the Castro Theatre, 429 Castro Street, San Francisco. For further information, visit http://www.castrotheatre.com.

Hillbilly Hero: Tucker and Dale director Eli Craig

01 Saturday Oct 2011

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When writing partners Eli Craig and Morgan Jurgenson started work on their script for what would become Tucker and Dale vs. Evil, both only had to think back to their childhoods to imagine the country setting of their story about a pair of good-natured hillbillies who find themselves under assault by a group of college kids who are certain the pair are serial killers. Jurgenson grew up in a cabin in the woods with no TV or running water. Craig, who is the son of actress Sally Field and her first husband Steven Craig, divided his childhood between urban Southern California and his father’s rural Oregon home. Just how much that influenced the pair’s screenplay wasn’t evident to Craig – who makes his feature directing debut with Tucker and Dale – until after the horror comedy that stars Alan Tudyk and Tyler Labine as the bemused bumpkins was finished.

“We built this cabin in the middle of nowhere by this lake,” he recalls during a recent phone call. “I remember he was using a chainsaw to clear out brush – I was maybe nine years old, using this bulldozer to clear out this gravel driveway – and I hear this scream.

“I hear my dad going, ‘Bees! Bees!’ He’s running with the chainsaw overhead, down toward the lake, as fast as he could, warning me about the bees. He chucked his chainsaw to the side and dove into the lake. I didn’t think of that until my fifth watching and I thought, ‘Oh my God, it’s my dad! Alan Tudyk with the chainsaw is my dad.’”

One day six years ago, Craig and Jurgenson were batting around ideas for screenplays when they came up with a simple proposition, what if The Texas Chainsaw Massacre villain Leatherface was really a good guy, just misunderstood? When Craig heard his wife, Sasha, snicker, he knew they were onto something, but at first all they had were a few elements and the basic idea.

“It wasn’t a movie. It was a funny idea to flip the typical presentation, which is the college kids go out to the woods and get slaughtered by backwoods freaks,” he says, adding that the story really began to develop when he and Jurgenson came up with the notion that Dale and one of the coeds, Allison (Katrina Bowden), should fall in love.

“I think I made a new twist on the romantic comedy genre. I even wanted the tag line to be, ‘The perfect romance, aside from the minor woodchipper incident.’ ” chuckles Craig.

“That was the key to this, selling the relationship in a way that was genuine and that the emotional context of it felt real. All this absurdity, all the chaos, comes back to the love story. To me, that was the most important element, whereas I think a lot of people focus on the gore and the horror.”

Starting with its world premiere at the 2010 Sundance Film Festival, Tucker and Dale vs. Evil was a popular draw on the festival circuit. It won the Midnight Audience Award at SXSW, the Best First Feature jury prize at Montreal’s Fant-Asia Film Festival, and Best Film at Spain’s prestigious Sitges International Film Festival. But distributors were slow to catch the growing buzz and for a while Craig despaired that the movie would ever have a chance to widen its reach. Then Magnet Releasing came through with a theatrical and VOD release. In its first weekend in theaters, the film’s positive rating stands at a healthy 88%. It’s the little movie that could, and it’s left Craig feeling like a proud papa.

“It feels a little bit like having a child,” he laughs. “In some ways it’s like parenting where you just try to aid the little guy to grow up and be himself and be himself fully. It’s really exciting to see. This film has had no opportunities. It’s had no help from anybody. It’s had no advertising. It’s had no real promotion and yet it’s found an audience.

“I’m just so proud of it. It has a voice that people have grabbed onto and made it somewhat successful, as least as an underground film. I’m very proud of it, as if it were a person.” – Pam Grady